Born 1963 in Providence, RI; lives and works in New York and Connecticut


1988        Master of Fine Arts in Painting, School of the Art Institute of Chicago, Chicago, IL
1985        Bachelor of Fine Arts in Painting, Rhode Island School of Design, Providence, RI


2015        Degree of Tilt, Eleven Rivington, New York, NY
                Degree of Tilt, Van Doren Waxter, New York, NY
                Echo, Corbett vs. Dempsey, Chicago, IL
                Eleven Rivington, Solo booth, Art Brussels, Belgium
2014        Jackie Saccoccio, Eleven Rivington, New York, NY
                Portraits, Brand New Gallery, Milan, Italy
                Portrait Gallery, Museo d’Arte Contemporanea, Villa Croce, Genova, Italy, curated by Ilaria Bonacossa
2013        Portraits, Corbett v. Dempsey, Chicago, IL project
                Polychrome Fiction: Joanne Greenbaum and Jackie Saccoccio, Nerman Museum of Contemporary Art, Kansas City, KS
2012        Portraits, Eleven Rivington, New York, NY
                Paintings: Jackie Saccoccio, Philip Slein Gallery, St. Louis, MO
2010        One to One, Eleven Rivington, New York, NY
                The Shades: Jeffrey Gibson / Jackie Saccoccio, Samson Projects, Boston, MA
2008        Interrupted Grid, Eleven Rivington, New York, NY
                Wall Intervention, Beatrice Room, RISD Gallery, Rome, Italy
2006        In Transparency, Black & White Gallery, New York, NY
2003        Portage, Galerie Michael Neff, Frankfurt, Germany
                Bowery Poetry Club, curated by Elizabeth Murray, New York, NY
2001        White Columns (Project Room), New York, NY
1997        Lauren Wittels Gallery (Project Room), New York, NY


2017        Post-Election, September, Hudson, NY
2016        MCA DNA: Riot Grrrls, MCA, Chicago, IL
                So I Turned Myself To Face Me, Marlborough Contemporary, London, UK   
                Confronting the Canvas: Women of Abstraction, MOCA Jacksonville, Jacksonville, FL 
                11R, New York, NY
2015        Abstraction: A visual language, Rhona Hoffman Gallery, Chicago, IL
                Pretty Raw: After and Around Helen Frankenthaler, curated by Katy Siegel, Rose Art Museum,
                Brandeis University, Waltham, MA
2014        Now-ism, Pizzuti Collection, Columbus, OH
                Abstract America, Saatchi Gallery, London, UK
                This One’s Optimistic: Pincushion, curated by Cary Smith, New Britain Museum, New Britain, CT
                Moira Dryer Project, Eleven Rivington, New York, NY
                Tom McGrath, Santi Moix, Jackie Saccoccio, Lucien Terras Inc., New York, NY
2013        Let’s Get Physical, Verdana 244, Brooklyn, NY
                The Idea of Realism, curated by Christian Caliandro and Carl D'Alvia, American Academy in Rome, Rome, Italy
                Pour, curated by Elisabeth Condon and Carol Prusa, Schmidt Gallery at Florida Atlantic University, Boca Raton, FL
2012        Hue & Cry, curated by Vladimir Restoin-Roitfeld, Sotheby's S2, New York, NY
                Rockslide Sky, curated by Carleen Sheehan, Fordham University at Lincoln Center Gallery, New York, NY
                Dedicated To You But You Weren’t Listening, Corbett v Dempsey, Chicago Art Expo, Chicago, IL
                Open Windows (with Keltie Ferris, Jackie Saccoccio, Billy Sullivan, and Alexi Worth), curated by Carroll Dunham,
                Addison Museum of Art, Andover, MA         
                Permanent Collection, curated by Edward del Rosario and Jordan Isip, Nancy Margolis Gallery, New York, NY
2011        Keltie Ferris, Andrew Gbur, Jackie Saccoccio, Eleven Rivington, New York, NY
                L’AUR’AMARA, curated by Bustos Domenech, Generale en Manufacture, Paris, France; Centro Ricerche Accademia
                di Brera ex Chisea, Milan, Italy
                A Painting Show, curated by Laura Raicovich, Harris Lieberman Gallery, New York, NY
                Snowclones, curated by Benjamin King and Rob Nadeau, ArtBlog, New York, NY
                Chain Letter, Samson Projects, Boston, MA
2010        L’AUR’AMARA, curated by Bustos Domenech, Gallery MC, New York, NY
                Girls Just Want to Have Funds, benefit exhibition organized by Rema Hort Mann Foundation, PPOW Gallery, New York, NY
                Collision, organized by Jackie Saccoccio, RISD Museum, Providence, RI
                Lush Life, curated by Franklin Evans and Omar Lopez-Chahoud, various LES galleries, New York, NY
                zonaMACO, curated by Nicole Cherubini for Samson Projects, Mexico City, Mexico
2009        New Prints, curated by Polly Apfelbaum, ICPNY, New York, NY
                Hand in Hand, curated by Michael Zahn, Non-Objectif Sud (NOS), La Barralière, Tulette, France
2008        Blue Balls, in collaboration with Art Production Fund APF Lab, New York, NY
                It’s Gouache and Gouache Only, curated by Geoffrey Young, Jeff Bailey Gallery and Andrea Meislin Gallery, New York, NY
                ART L.A., Eleven Rivington, Santa Monica Convention Center, Santa Monica, CA
2007        Genesis I’m Sorry, Josh Smith segment, Greene Naftali, New York, NY
                NADA Fair, Eleven Rivington, Ice Palace Studios, Miami, FL
2006        The Sanctuary and The Scrum, curated by David Hunt, Black & White Gallery, New York, NY
                Palpable Painting, Ramapo College, Ramapo, NJ
                Painting Faculty: Past and Present, Woods Gerry Gallery, Rhode Island School of Design, Providence, RI
2005        Open, American Academy in Rome, Rome, Italy
                Spazi Aperti, Romanian Academy, Rome, Italy
                Biagiotti Progetto Arte, Florence, Italy
                Biennial Faculty Exhibition, RISD Museum of Art, Providence, RI
2004        Colored Pencil, KSArt, New York, NY
2003        Hands Up Baby, Hands Up, Oldenberger Kunstverein, Oldenberg, Germany
2000        00, Barbara Gladstone Gallery New York, NY
                Funny Girls: Sara Kane, Jackie Saccoccio and Rachel Urkowitz, Galerie Michael Neff, Frankfurt, Germany
                Painting: Sara Kane, Jackie Saccoccio, Rachel Urkowitz, Thomas Erben Gallery New York, NY
1999        Immediacies of the Hand: Abstract Painting in New York, Hunter College, New York, NY
1998        Inaugural Exhibition, Tate, New York, NY
1996        Can We Talk? / Mind the Gap, curated by Laura Stein and Dike Blair, Basilico Fine Arts, New York, NY
                The Baseball Show, Curt Marcus Gallery, New York, NY
1994        S.I.B.: Swelling Itching Brain, curated by Michael Bevilaqua, Satellite, New York, NY


2017       Evans, Cristina Ohly. "Untitled, Art Arrives in San Francisco." Financial Times, January, 2017
2015        Saltz, Jerry. "The 10 Best Art Shows of 2015." New York Magazine Vulture, December, 2015
Smith, Roberta, “Jackie Saccoccio: Degree of Tilt,” The New York Times, October 15
                Micchelli, Thomas, “The Skin She Lives In: Jackie Saccoccio Paints Big,” Hyperallergic, September 19
                Kerr, Dylan, “Painter Jackie Saccoccio on Her Endlessly Regenerating Abstract Portraits,” Artspace, August 14
                Smith, Roberta, “Review: ‘Pretty Raw’ Recounts Helen Frankenthaler’s Influence On The Art World,”
                The New York Times, June 3
                “Jackie Saccoccio named winner of Artadia NADA Award,” Happening, May 18
                Ghorashi, Hanna, “Jackie Saccoccio wins 2015 Artadia NADA New York Award,” ARTnews, May15
                “2015 Artadia NADA New York Awardee Jackie Saccoccio,” Artadia, May 15
                Cooper, Anneliese, “Jackie Saccoccio Wins the Artadia NADA Award”, Artinfo, May 15
                Goldstein, Andrew M., “Jackie Saccoccio, Painter of Intoxicating Abstractions, Wins the 2015 Artadia NADA Award,”
                Artspace, May 14
                Reyburn, Scott,  “Differing Fates for Art and Design Cousins,” The New York Times, May 1
                Blake, Kevin, “Jackie Saccoccio @ Corbett vs. Dempsey,” Bad at Sports, March 16
2014        Ehsan, Pari, “Jackie Saccoccio Could See Her Colorful Creations Flitting Down the Runway,”, September 3
                Frankel, Eddy, “Abstract America Today,” Time Out London, June 2
                Luke, Ben, “Abstract America Today, Saatchi Gallery Exhibition Review,” London Evening Standard, May 28
                Miller, M.H, “'Art Is Short, Life Is Long': At the Opening of NADA New York,”, May 9
                Schwendener, Martha, “Jackie Saccoccio,” The New York Times, May 8, p. C25
                “Review: Jackie Saccoccio at Eleven Rivington,” M Daily, May 1
                Halle, Howard, “Top Five New York Art Shows this Week: Jackie Saccoccio,” Time Out New York, April 7, p. 33
                Warner, Emily, “Eleven Rivington Focuses on the Late Moira Dryer,” The Village Voice, February 19
                D’Aurizio, Chiara, “Un’americana Genova. Jackie Saccoccio on show at Villa Croce,” February 1
                Saltz, Jerry, “Seeing Out Loud: Jerry Saltz on the Brief, Great Career of Moira Dryer,” New York Magazine, January 30
                Bush, Bettina, “Galleria di ritratti senza volto,” La Repubblica, January 24
                Smith, Roberta, “Art in Review: Moira Dryer Project,” The New York Times, January 16
                Miller, Chris, “Review: John Sparagana, Arturo Herrera and Jackie Saccoccio / Corbett vs. Dempsey,” Newcity Art, January 7
                “Moira Dryer Project,” The New Yorker, February 3, p. 8
                Bonacossa, Ilaria and Ilaria Gianni, Jackie Saccoccio: Portrait Gallery, exh. cat., Museo d’Arti Contemporanea, Villa Croce
                deCruz, Gemma, “Abstract America,” exh. cat. essay, Saatchi Gallery, London, UK
2013        Sullivan, Maureen, “BEST OF NADA 2013,” Whitewall Magazine, December 9  
                Rhodes, David, “Polychrome Fiction: Joanne Greenbaum/Jackie Saccoccio,” exh. cat. essay,
                Nerman Museum of Contemporary Art, Overland Park, KS          
                Thorson, Alice, “Abstraction with Attitude,” The Kansas City Star, August 11, pp. D1–2
                Caliandro, Christian, L’Idea del Realismo, exh. cat., Maretti Editore
                Caliandro, Christian, “Un’idea di realism all’Accademia Usa,” Corriere della Sera, January 28, p. 12
                Pedersen, Alex, “Johnson County’s hidden gem and its latest exhibit,” Examiner, July 8
                Ridley, Howard, “On Painting and Rome: Interview with Jackie Saccoccio,” Burnaway and Huffington Post, May 8
2012        Saltz, Jerry, “The Year in Culture,” New York Magazine, December 10
                Vogel, Carol, “The Art World Blurred,” The New York Times, October 26, p. C1
                Baran, Jessica, “In the Galleries – Jackie Saccoccio and Arthur Osver: A Centennial Celebration at Philip Slein,”
                Riverfront Times, May 31                                            
                Rhodes, David, “Jackie Saccoccio: Portraits,” The Brooklyn Rail, May
                Beall, Dickson, “Jackie Saccoccio at Philip Slein Gallery’s New Location,” West End World, May 22
                Thomson Baker, Allese, “Critic’s Pick: Jackie Saccoccio,”, April
                Saltz, Jerry, “Skull Candy,” New York Magazine, April 2
                Coates, Jennifer, “Review: Portraits,” Time Out New York, April 2
                Kazakina, Katya, “Saccoccio’s Color Mazes…,” Bloomberg, March 29
                McQuaid, Cate, “Circular Take on Modernism,” The Boston Globe, March 6
                Wallach, Amei, “Carroll Dunham Opens Window For New Talent,” Art in America, March 12
                Worth, Alexi, “Let’s Stay Lost,” in Portraits, exh. cat., Eleven Rivington
2011        Shultz, Charles, “Andrew Gbur, Keltie Ferris, Jackie Saccoccio,” The Brooklyn Rail, October 4
                “Jackie Saccoccio: Abstraccion Sensorial,” Ambientes, Issue 80, p. 46
                Starger, Steven, “Collision,” Art New England, May/June
                Cook, Greg, “‘Collision’ showcases scatter art at the RISD Museum,” The Providence Phoenix, January 25
                Van Siclen, Bill, “‘Collision’ at RISD Museum celebrates the ephemeral and experimental,”
                The Providence Journal, January 20
2010        McQuaid, Cate, “The year’s top 10,” and “A year for promising signs,” The Boston Globe, December 29, pp. G3–4
                Garza, Evan, “Jackie Saccoccio + Jeffrey Gibson,” The Art Papers, November/December
                McQuaid, Cate, “In Show, Controlled Chaos,” The Boston Globe, November 14, p. N6
                McQuaid, Cate, “Wall-to-Wall Abstraction,” The Boston Globe, September 17, p. G4
                Esplund, Lance, “Beyond Laissez-Faire Summer Fare: Lush Life,” The Wall Street Journal, July 24         
                “I sogni son desideri,” Mondo: Vernissage Magazine, July/August
                Saltz, Jerry, “Jackie Saccoccio: One to One,” New York Magazine, June 7
2008        Vogel, Carol, “Inside Art: Watching Visions Unfold,” The New York Times, November 6, p. C26
                Maine, Stephen, “Mapping New Territory,” Art in America, March, pp. 69–71
                “Focus: Lower East Side,” Flash Art, March/April, pp. 96–101
                "Goings on About Town,” The New Yorker, February 11 and 18, p. 30
                Muhler, Stephen, “Off the Grid,” Gay City News, January 24, p. 12
                Maine, Stephen, “Call and Response,” The New York Sun, January 17, p. 15
2007        Smith, Roberta, “Art in Review: Genesis I’m Sorry,” The New York Times, August 3
                Saltz, Jerry, “Maximum Voracity: Jackie Saccoccio’s Retinal Thought Storm,” Village Voice, January 4, p. 43
2006        Cameron, Kristi, “A Fellowship in Rome,” Metropolis Magazine, June, p. 130
2005        Caracciolo, Marella, “Sul Colle del Gianicolo,” 24 Ore Ventiquattro, November, pp. 101–106
                Spazi Aperti, exh. cat., Romanian Academy
                Index, exh. cat., American Academy in Rome
2003        Jungwirth, Nikolaus, “Im Bretterwald: Jackie Saccoccio fordert Gedankenarbeit bei Neff,” Frankfurter Rundschau, August 9
2000        Dailey, Meghan, “Painting: Sara Kane, Jackie Saccoccio, Rachel Urkowitz,” Time Out New York, November 30, p. 92
                Kertess, Klaus, “00” Drawings 2000 at Barbara Gladstone Gallery, exh. cat.
                “Goings On About Town ‘00’,” The New Yorker, July 31, p. 12
                Jungwirth, Nikolaus, “Heiter und bunt sei die Kunst,” Frankfurter Rundschau, August 5
                Cruwell, Konstanze, “Dame in Grau und heiteres Farbenchaos,” F.A.Z., August 3
1999        Cotter, Holland, “Immediacies of the Hand: Recent Abstract Painting in New York,” The New York Times, April 9, p. E40
                Ratcliff, Carter, in Immediacies of the Hand: Recent Abstract Painting in New York, exh. cat.,
                New York: Hunter College Art Galleries
1996        Glueck, Grace, “The Baseball Show,” The New York Times, July 26, p. C23


Addison Gallery of American Art, Andover, MA
Dakis Joannou Collection, Greece
Dallas Museum of Art, Dallas, TX
Museum of Contemporary Art, Chicago, IL
MOCA Jacksonville, Jacksonville, FL
Nerman Museum of Contemporary Art, KS
Saatchi Gallery, London, UK


2015        Arcadia NADA Award, New York
2004-05   Rome Prize, American Academy in Rome, Rome, Italy
2004        Artist Residency, Claude Monet Foundation/Art Production Fund, Giverny, France
2000-01   John Simon Guggenheim Foundation Grant
1990-91   Fulbright-Hays Foundation Grant/Miguel Vinciguerra Award, Italy